SpeedLooks are designed by industry professionals for cinematographers, editors and colorists to achieve the character and beauty of 35mm film, all with the click of a button. SpeedLooks work with all DSLR and digital cinema cameras, non-linear editing, and color grading programs on the market.
Comprehensive 2 LUT color grading process, utilizing our intermediate VS-LOG, combined with our exclusive camera *P* technology. Perfect for anyone working with LOG footage in either a color grading or non-linear editing program.
- Our universal camera *P* which works with all DSLR shooting modes
- SpeedLooks are perfect for color correction and applying narrative looks
- Includes all SpeedLooks and camera patches
- Camera patches allow easy color matching of multiple cameras on a timeline
- SpeedLooks Studio LOG includes all looks from our previous SpeedLooks releases
SpeedLooks Studio LOG is the ultimate starting point for color grading. Proven color science designed to streamline post-production workflow. Flexible and easy to use, SpeedLooks Studio LOG is designed for all skill levels and works fluidly with all color grading programs.
Available exclusively with SpeedLooks Studio Log, our camera patches allow you to achieve a visual baseline unique to what camera was used.
- Arri Alexa
- BMC DNXHD
- BMC ProRes
- BMC RAW 3200K
- BMC RAW 5600K
- BMC (Resolve)
- Canon 1DC
- Canon 5D
- Canon 7D
- Canon C300
- Canon C500
- GoPro 3200K
- GoPro 5800K
- Nikon D800
- Panasonic HPX3700
- Panasonic Varicam
- RED Color
- RED Dragoncolor
- Sony F55 Slog3
- Sony FS7 Slog3
- Sony A7S Slog2
- Universal, rec709 for all DSLR’s
code : https://docs.google.com/document/d/1RyLffcC49i9lvHwFnFlCf7itW8V5_hi1dQ9JqnH-c8w/edit
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